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Mary Jane

by Diyarisan

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about

The song Mary Jane plays with the name and the secondary meaning. So it's about confusion - not only in the lyrics.
The composer Diyarî San has made it his task to popularize musical structures that are not based on the usual harmonics, but on synthetic chords and sound sequences. In doing so, he often uses synthetic chords that are formed from complementary tones of the twelve-tone space. Chord sequences can also be formed from these, if transpositions and inversions are strung together in such a way that bridges are formed over equal notes. No wonder, then, that the music in Mary Jane seems like jazz after the first few bars. The impression is reinforced by the use of wind instruments, even if the Mongolian horse-head fiddle forms a certain contrast to it. At the latest during the solo, however, it becomes clear that this is not jazz, but modern twelve-tone music. Producer Buelyd immerses the song in a big band atmosphere, not least through his subtle drumming.

lyrics

Mary Jane Mary Jane you only love Mary Jane
Mary Jane Mary Jane you do not love gin or rum

I am excited ‘cause I love you so much Mary Jane
But you do not see me ‘cause you look for stuff
Never ever I really forget your face
but between you and Mary Jane is no space

credits

released February 2, 2023

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Diyarisan Husum, Germany

Diyarisan's music follows the compositional concept of Russian composer Nikolaj Andreevic Roslavec (1880-1944). A six-note "synthetic chord" and its transposition form the tonal space for melodic and harmonic development, with additions to the 12-note scale forming breaks and musical interjections. The music deliberately plays with echoes of jazz, Middle Eastern folk music, and rock music. ... more

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